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以下、常岡の著書である「コペンハーゲンシンフォニー」より抜粋。
TAKUMA TSUNEOKA
He majored in Law at Waseda University,and started business on his own
account after the experience of being in charge of 12 countries' international
business at a trading company. Executive Managing Director of Nittetsu
Steel Kohan Kenzai Co., Ltd.and Nittetsu International Co.,Ltd., and representative
of Nittetsu Australia Pty.working on producing many events and amusement
parks with the Ministry of International Trade and Industry, local administrations,
municipal, town and villege office:
*1990 marine zone producer, Nagasaki Travel Expo. (Nagasaki Prefecture)
*1991 marine establishiments producer of Okinawa Marine Carnival
(Okinawa Prefecture)
*1992 marine zone producer, Japan Expo. Toyama (Toyama Prefecture)
*1993 event producer of Fruits Collection Kurayoshi (Tottori Prefecture)
*1994 Producer of international amity between Sydney and Yokkaichi port
for Japan Expo. Mie (Mie Prefecture)
*1995 producer of Kyusyu Oceania Stage (Fukuoka Prefecture)
*1996 water stage producer of All-Japan Cities' Greenery Fair, Toyama Expo.
(Toyama Prefecture)
*1997 Australian stage producer of Hokuriku Import Fair (Fukui Prefecture)
JETRO Import Promotive Specialist, Special Citizen of Woolongong, Australia,
Councilor of West Australia Freemantle Yacht Club, Scandinavian Import
Manager of Hibiya-kadan Floral Co.,Ltd., Councilor of Melborne Landscape
Conference, Chairman of Australian Canoe Club in Japan, Special Member
of Cooyon (Melbourne) Tenniss Club, and Councilor of Roskilde(Denmark)
Sailing Club. He also wrote "Practical Business Advice for Trade between
Japan and Australia" and "Oceanian Journey". He won the
3rd prize in 1993 Sydney Photographers Contest.
The biggest city in Scandinavia, Copenhagen is a smaller city than expected.
Walking along Stroget street which we cannot find in map for Kongens Nytorv
Circus, I can find the roof of a steeple in the medieval Renaissance style
with bronze luster, contrast well with Scandinavian unique, dark, cloudy,
low sky.
Royal Art Academy,Charlottenborg with medieval image, which has produced
many famous Danish artists, reminds me of the state of affairs of 300 years
ago even today.
The title of the article featuring Mr.Bjorn Wiinblad in Scanorama, the
magazine of Scandinavian Airlines was strongly impressive. "In wakeful
time, Bjorn Wiinblad is over 100 years old. He thrives on the challenge
provided by shifting from one medium to another." It is a praise on
the versatile and highly successful Danish artist.
Mr.Bjorn Wiinblad hums around the word; tapestries exhibition in Sydny,
ceramics and porcelains exhibition in London, and musical posters exhibition
in New York. Mr.Guy Badse, his manager seems to be very troubled about
adjusting his schedule.
One day in Feburary, it was freezing cold, and I got dead drunk with Mr.Bjorn
Wiinblad and Mr.Guy Badse, his good partner in a melancholy atmosphere
of flames trembling over the candlesticks in Restrant Wiinblad, then we
agreed to drink again in Mr.Bjorn Wiinblad's house. I seemed to be the
first Japanese who visited his house, which loocked as if it had been Bjorn
Wiinblad's museum itself, in Pistolstraede street in the surburb of Copenhagen.
I was only surprised at and quite excited by his ceramics, tablecloths,
greeting cards, original posters, and any other creations displayed casually.
Mr.Bjorn Wiinblad's sharp eyes staying right on you, and his eyes of embrace
when he touches his own works. I can say it would be my most precious experience
to meet this gifted artist.
The world of fantasia expressed by Mr.Bjorn Wiinblad seemed to look for
dreams and tranquility of mind.
Arje Griegst, born as a son of goldsmith artist Baruch Griegst and graduated
Royal Academy of Art, established his immortal status with hair diadem
for her Majesty Queen Margrethe U of Denmark finished by him in 1976.
Arje's glass of Royal Copenhagen Crystal is admired by the collectors all
over the world, and his goldwork brooch with opals is always set the goal
for, by young artists in this line all over the world owing to his elaborate
gold engraving technique and its powerful impact.
He often had his individual exhibition at the famous museums in New York,
London, and Paris. He is settled with his family in Paris though he is
Danish. I remember it was a freezing morning in December that I have walked
around to look in art gallerys in and around Montmartre with him. He said,
"I like the stream of La Seine in the morning haze around here,"
and I heard he often sketched here. Arje, who always talks about the art
quietly in a gentle manner, creates strong, sharp works in which we can
find dynamic expressions by a man of power everywhere. This may be the
reason why he is called a genius in goldwork. In fact, I could find his
sharp eyes in a tense atmosphere that he gave his staffs instructions of
forming, working on production of 3m big fountain in the subject of 7 oceans
in the world and a big seashell in his studio and workshop in Pietrasanta,
Italy.
Arje says, "the fountain goes back to the source of Italian Renaissance
sculpture." One day, conducted around Carlsberg Museum hearing his
comments, I found that he was so clear-headed and had such good a grasp
of historical facts that I saw a historian in Arje Griegst.
John Duke is a quite free and unrestrained painter. His style is mostly
challenging to infinity created by his imagination, and to be honest, it
is almost hard for me to understand. What arouses my interest in John's
painting is the light touch of color coordination by his painting brush
and his rich inspiration rather than what is called his nonfigurative expression.
John says that Walt Disney made him choose the painting life when he was
12 years old, then he emigrated to Canada at the age of 28, moving from
Toronto to Calgary and Chicago for the next 12 years, at last settled down
to the world of arts in Denmark at the age of 40.
Duke's unique, exciting color scheme of rich colors arouses my various
imagination, and speaking in a modern manner, I must say it is pastel touch
or significant design as if it were spread out in the nature gradually.
"Takuma, I won't stick to the material or painting. I have created
a symbol tower in bronze and space monument with steel and stone arranged.
I will also design sportwear." The chat party between beer lovers,
which I made a rule on my visit Copenhagen, is always endless at the bar
in Radisson SAS Royal Hotel.
When I leave Denmark for Japan, I almost always reach Copenhagen airport
one hour earlier. then, I walk up and down twice the tooling gate of 30m
in front of the porcelain mural at Pier B in the International Terminal
so that I can see 6 murals (each height 3m x width 5m) of the light in
platina by Ms.Lin Utzon titled "Scandinavian light" and fired
in Royal Copenhagen to be staged in a space after long meditation.
Lin, the daughter of the brilliant architect Jorn Utzon widely knowns as
the designer of the Sydney Opera House, the symbol of Australia, has risen
to No.1 contemporary artist in the field of porcelain and ceramic arts
not less popular than her father with her creative instincts rather than
riding on the reputation of him.
One day in July. I visited her creative spot in Helsingor by a car of her
son who had just returned from Australia. 5 columns ( each diameter 1.5m
x height 10m ) standing up in the sky stares at Kronborg Castle. Lin in
overall Jeans and her staffs are skillfully working on the countless triangle
tiles. She smiled at me who was busy taking a snap, with her fingers creating
an art precisely as if they had touched the keys of the piano.
In her studio in Helsingor, her dazzling platina ware and design art of
approximately No.200 size are displayed casually and closely. "takuma,
do you like this painting? Would you like to take it to Japan?" Listening
to her playing a piano with her long and slender fingers and her blond
hair swinging, and talking about Australia, night has fallen with a group
of yacht cruising in the Oresund Straits before we are aware of it.